ᓄᑖᒃ ᒪᕐᕉᒃ ᕿᒥᕐᕈᐊᒃ ᐃᓚᒋᓕᐅᑎᑎᑕᐅᓯᒪᓕᕐᑑᒃ ᐱᐊᕃᑦ ᕿᒥᕐᕈᐊᖏᓐᓄᑦ ᐊᓪᓚᖑᐊᕐᑕᕕᓂᐅᑦᓱᑎᒃ ᓄᓐᖓ ᐃᖃᓗᒻᒧᑦ. ᕿᒥᕐᕈᐊᖑᓕᕋᓗᐊᕐᑎᓗᒋᒃ ᑭᑎᑦᔪᑎᓄᐊᖓᔪᖅ ᐊᒻᒪᓗ ᐃᓄᐃᑦ ᓴᓇᕐᕈᑎᖏᑦ, ᐅᓇ ᕿᒥᕐᕈᐊᖑᓕᕐᒥᔪᖅ ᐃᓄᐃᑦ ᐊᐅᓚᒍᑎᖏᑦ. ᕿᒧᑦᓰᑦ, ᐃᓕᓵᓂᒃ ᐁᑦᓯᕋᐅᑎᒃ, ᖁᓕᒥᒎᓕᒃ/ᖁᓛᒻᒥᒎᓕᒃ. ᑲᒧᑎᑲᓪᓚᒃ/ᓯᑭᑑᖅ, ᐃᑯᐊᓚᔪᕐᓂᐊᑎ, ᖃᔭᖅ ᐊᓯᖏᓪᓗ ᐊᐅᓚᒍᑎᐅᒍᓐᓇᑐᑦ, ᑖᒃᑯᐊ ᐊᓪᓚᖑᐊᕐᓯᒪᔪᑦ ᑕᑯᑎᑦᓯᔪᑦ ᖃᓄᖅ ᓄᓇᕕᒻᒥ ᐊᐅᓚᒍᑏᑦ ᐊᓯᑦᔨᓯᒪᓕᕐᓂᖏᓐᓂᒃ. ᕿᒥᕐᕈᐊᓕᐊᖑᓯᒪᔪᑦ ᐊᕐᕌᒍᖃᓐᖏᑐᓂᑦ ᑕᓪᓕᒪᓂᒃ ᐅᑭᐅᓕᓐᓄᑦ, ᑖᒃᑯᐊ ᕿᒥᕐᕈᐊᑦ, ᓯᑕᒣᓐᖑᐊᕌᓘᓕᕐᓱᑎᒃ, ᐃᓕᓴᐅᑎᑦᓴᓯᐊᑦ ᐱᐊᕃᑦ ᑕᑦᓰᓚᕿᑎᓪᓗᒋᑦ ᐃᓕᓐᓂᐊᓂᕐᒥᒃ ᐅᖃᐅᓰᕐᓯᖏᑦᑑᒍᑕᐅᒍᓐᓇᓱᑎᐊᓪᓛᑦ. ᑖᒃᑯᐊ ᓯᑕᒣᑦ ᐊᑐᐃᓐᓇᐅᓛᕐᓂᐊᑐᑦ ᒪᓐᓂᓕᐅᑦ (ᔫᓂᐅᑉ) ᓄᓐᖑᐊᓂ 2013-ᒥ. →
ᐃᓅᓯᕆᓯᒪᔭᖓ ᐃᓄᑐᐃᓐᓇᐅᓱᓂ ᒪᙯᑦᑎᐅᓱᓂ, ᐅᒥᐊᕐᔪᐊᓂᓪᓗ ᐊᖁᑎᐅᑦᓱᓂ ᓯᕗᓕᕐᑎᐅᖃᑦᑕᓯᒪᔪᖅ ᐃᓅᓯᕐᒥᓂ, ᐱᐅᓯᑐᖃᕐᒥᓂᒃ ᐊᑐᕐᓱᓂ ᑕᓯᐅᕐᑎᐅᓯᒪᔪᖅ ᐃᓄᓐᓂᒃ ᓄᓇᕕᒻᒥ ᑌᑦᓱᒪᓂᒋᐊᖅ ᖄᖏᕐᓯᒪᓕᕐᑎᓗᒋᑦ ᐊᑦᓱᕈᕐᓇᑑᓯᒪᔪᑦ ᐊᓯᐅᓂᐅᓯᒪᔪᑎᒍᓪᓗ ᐊᒻᒪᓗ ᑎᑭᐅᑎᓯᒪᑦᓱᒍ ᓯᕗᓪᓕᐹᖅ ᓄᓇᑖᕈᑎᐅᓯᒪᔪᖅ ᐊᖏᕈᑎ ᑲᓇᑕᒥ.
ᒪᙯᕕᒋᓲᑦᑕ ᐃᓚᖏᓐᓂ ᑕᑯᓲᒍᖏᓐᓇᖁᒍᑦ ᐊᒥᓱᐊᓗᓂᒃ ᐊᕐᕕᕕᓃᑦ ᓴᐅᓂᖏᓐᓂᒃ. ᐅᓂᒃᑳᑕᐅᔪᓂᒃ ᑐᓴᕐᓯᒪᔪᖓ ᖃᓄᖅ ᐃᓄᐃᑦ ᑲᑎᓲᒍᓐᓂᒪᖔᑕ ᐊᕐᕕᓂᐊᓛᓕᕋᒥᒃ. ᐃᓄᐃᑦ, ᓱᒐᓗᑦᑐᖅ ᐅᐃᒡᒐᓃᑦ, ᕿᒪᑦᑕᐅᓂᑰᑦᓱᑎᒃ ᓄᓇᑐᕐᓕᐅᑉ ᐃᓗᐊᓂ ᐃᓐᖏᓗᑦᑖᓲᕕᓃᑦ ᐅᑕᕐᕿᓂᕐᒥᓂ ᐊᖑᑎᓂᒃ ᐊᕐᕕᓂᐊᕆᐊᕐᓯᒪᔪᓂᒃ. ᐊᑕᐅᓯᖅ ᐃᓐᖏᓗᑦᑖᕈᓯᑐᖃᖅ ᐃᒣᓕᔪᖅ: ᒪᑦᑕᖅ ᑎᖓᐅᔮᕐᑐᑦ ᓂᐱᓐᖓᓲᖑᒐᒥ ᐅᔭᕋᕐᓄᑦ. ᔫᓯᐱ ᓇᑉᐹᓗᒃ, ᒪᑉᐱᑐᒐᖅ 139-ᒥ. ᓯᕗᓪᓕᐹᒥᒃ ᐊᕐᕕᓂᐊᕐᓂᖃᓚᐅᔪᑎᓪᓗᒍ ᓄᓇᕕᒻᒥᐅᑦ ᐊᕐᕕᓂᐊᕈᓐᓇᓂᕋᕐᑕᕕᓂᐅᑎᓪᓗᒋᑦ 100 ᐅᖓᑖᓅᕐᑐᑦ ᐊᕐᕌᒍᐃᑦ ᓈᓯᒪᓕᕐᑎᓗᒋᑦ ᑭᖑᓪᓕᐹᒥ ᐊᕐᕕᓂᐊᓂᖃᓚᐅᕐᑐᕕᓕᐅᑎᓪᓗᒍ, ᑖᓐᓇ ᐊᖏᔪᑲᓪᓚᒃ ᕿᒥᕐᕈᐊᖅ ᑕᐅᑦᑐᖃᕐᓱᓂ ᑕᑯᑎᑦᓯᔪᖅ ᐃᓗᕐᕈᓯᑐᖃᕐᑎᒎᑉᑐᓂᒃ, ᐃᓅᖃᑎᒌᑦᑐᓂᒃ ᓱᑯᐃᔦᓂᑎᒎᕐᑐᓂᒃ, ᐱᐅᓯᐅᓯᒪᔪᕐᑎᒎᕐᑐᓂᒃ, ᓄᓇᕐᔪᐊᓕᒫᒥ ᓄᓇᓐᖑᐊᓕᕆᓂᑎᒎᕐᑐᓂᒃ ᐊᓂᕐᑎᕆᔪᓕᒫᑎᒎᕐᑐᓂᒃ …
Mitiarjuk Nappaaluk’s Sanaaq is an intimate story of an Inuit family negotiating the changes brought into their community by the coming of the Qallunaat, the White people. Composed in forty-eight episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec. Here they live …
ᑖᓐᓇ ᓱᑯᐃᔦᓂᑎᒍᑦ ᓇᓗᓀᕐᓯᒐᓱᐊᕐᓂᕕᓂᖅ ᑕᑯᑎᑦᓯᒍᑕᐅᔪᕕᓂᖅ ᑲᖏᕐᓱᔪᐊᕐᒥᐅᑦ ᐃᓂᓪᓚᖓᐅᓯᕕᓂᖏᓐᓂᒃ ᐃᓕᓐᓂᐊᕕᕐᔪᐊᒨᕐᑕᕕᓂᐅᑦᓱᓂ 1964-ᒥ ᒧᓐᑐᔨᐊᑉ ᐃᓕᓐᓂᐊᕕᕐᔪᐊᖓᓂ ᐃᓕᓐᓂᐊᕇᒍᑎᑖᕈᑕᐅᒐᓱᐊᕐᓱᓂ. ᑐᓐᖓᕕᖃᕐᓱᓂ ᖃᐅᔨᔭᐅᖃᑦᑕᑐᕕᓂᕐᓂᒃ ᓄᐊᑕᐅᑦᓱᑎᒃ 1961-ᒥ 62-ᒥᓪᓗ, ᑖᓐᓇ ᐱᓇᓱᐊᕐᑕᕕᓂᖅ ᓇᓗᓀᕐᓯᔪᖅ ᐱᐅᔪᓪᓗᑐᐊᓗᓂᒃ ᐃᓄᐃᑦ ᓄᐃᑕᔪᒃᑯᑦ, ᐱᐅᓯᕆᓯᒪᔭᖏᓐᓂᒃ ᐃᓅᖃᑎᒌᑦᓯᐊᑐᐃᓐᓇᓱᑎᒃ ᖃᐅᔨᒪᔭᐅᓐᖏᓂᕐᐹᓯᐊᒍᑦᓱᑎᒃ ᐃᓅᖃᑎᒌᑦᑐᓂᒃ ᑌᑦᓱᒪᓂᐅᑎᓪᓗᒍ ᑯᐯᒻᒥ-ᓛᐸᑐᐊᒥ. ᑖᓐᓇ ᕿᒥᕐᕈᐊᖅ ᑭᓐᖒᒪᓇᕐᑐᓚᕆᒃ ᑐᑭᓯᒍᑕᐅᒍᓐᓇᕋᒥ ᓄᓇᕕᓕᒫᑦᓯᐊᒥᒃ. ᕿᒥᕐᕈᐊᖅ ᖃᓪᓗᓈᑎᑑᓚᐅᔪᒐᓂ ᖃᓪᓗᓈᑎᑑᓕᕐᑎᑕᐅᓯᒪᓕᕐᑐᖅ; ᐅᐃᒍᐃᑎᑑᕐᑐᑕᖓᓗ ᐊᔪᒐᓚᑦᓱᓂ ᐱᒐᓱᒋᐊᒥᒃ; ᐃᓄᒃᑎᑑᕐᑐᖅ ᒫᓐᓇᐅᑎᓗᒍ ᐊᑐᐃᓐᓇᕈᕐᑎᑕᐅᓕᕐᑐᖅ. ᕿᒥᕐᕈᐊᓕᐅᕐᑐᕕᓂᐅᑉ ᒥᑦᓵᓄᑦ Bernard Saladin d’Anglure (ᐱᕐᓈ) (1936- ) ᖃᐅᔨᒻᒫᕆᔭᐅᑦᓯᐊᓱᓂ ᐃᓅᖃᑎᒌᑦᑐᓂᒃ ᓱᑯᐃᔦᓂᑎᒍᑦ ᓇᓗᓀᕐᓯᔨᐅᕗᖅ ᐱᓇᓱᐊᖃᑎᖃᒻᒪᕆᑦᑐᕕᓂᐅᑦᓱᓂ …
ᑖᓐᓇ ᓱᑯᐃᔦᓂᑎᒍᑦ ᓇᓗᓀᕐᓯᒐᓱᐊᕐᓂᕕᓂᖅ ᑕᑯᑎᑦᓯᒍᑕᐅᔪᕕᓂᖅ ᑲᖏᕐᓱᔪᐊᕐᒥᐅᑦ ᐃᓂᓪᓚᖓᐅᓯᕕᓂᖏᓐᓂᒃ ᐃᓕᓐᓂᐊᕕᕐᔪᐊᒨᕐᑕᕕᓂᐅᑦᓱᓂ 1964-ᒥ ᒧᓐᑐᔨᐊᑉ ᐃᓕᓐᓂᐊᕕᕐᔪᐊᖓᓂ ᐃᓕᓐᓂᐊᕇᒍᑎᑖᕈᑕᐅᒐᓱᐊᕐᓱᓂ. ᑐᓐᖓᕕᖃᕐᓱᓂ ᖃᐅᔨᔭᐅᖃᑦᑕᑐᕕᓂᕐᓂᒃ ᓄᐊᑕᐅᑦᓱᑎᒃ 1961-ᒥ 62-ᒥᓪᓗ, ᑖᓐᓇ ᐱᓇᓱᐊᕐᑕᕕᓂᖅ ᓇᓗᓀᕐᓯᔪᖅ ᐱᐅᔪᓪᓗᑐᐊᓗᓂᒃ ᐃᓄᐃᑦ ᓄᐃᑕᔪᒃᑯᑦ, ᐱᐅᓯᕆᓯᒪᔭᖏᓐᓂᒃ ᐃᓅᖃᑎᒌᑦᓯᐊᑐᐃᓐᓇᓱᑎᒃ ᖃᐅᔨᒪᔭᐅᓐᖏᓂᕐᐹᓯᐊᒍᑦᓱᑎᒃ ᐃᓅᖃᑎᒌᑦᑐᓂᒃ ᑌᑦᓱᒪᓂᐅᑎᓪᓗᒍ ᑯᐯᒻᒥ-ᓛᐸᑐᐊᒥ. ᑖᓐᓇ ᕿᒥᕐᕈᐊᖅ ᑭᓐᖒᒪᓇᕐᑐᓚᕆᒃ ᑐᑭᓯᒍᑕᐅᒍᓐᓇᕋᒥ ᓄᓇᕕᓕᒫᑦᓯᐊᒥᒃ. ᕿᒥᕐᕈᐊᖅ ᖃᓪᓗᓈᑎᑑᓚᐅᔪᒐᓂ ᖃᓪᓗᓈᑎᑑᓕᕐᑎᑕᐅᓯᒪᓕᕐᑐᖅ; ᐅᐃᒍᐃᑎᑑᕐᑐᑕᖓᓗ ᐊᔪᒐᓚᑦᓱᓂ ᐱᒐᓱᒋᐊᒥᒃ; ᐃᓄᒃᑎᑑᕐᑐᖅ ᒫᓐᓇᐅᑎᓗᒍ ᐊᑐᐃᓐᓇᕈᕐᑎᑕᐅᓕᕐᑐᖅ. ᕿᒥᕐᕈᐊᓕᐅᕐᑐᕕᓂᐅᑉ ᒥᑦᓵᓄᑦ Bernard Saladin d’Anglure (ᐱᕐᓈ) (1936- ) ᖃᐅᔨᒻᒫᕆᔭᐅᑦᓯᐊᓱᓂ ᐃᓅᖃᑎᒌᑦᑐᓂᒃ ᓱᑯᐃᔦᓂᑎᒍᑦ ᓇᓗᓀᕐᓯᔨᐅᕗᖅ ᐱᓇᓱᐊᖃᑎᖃᒻᒪᕆᑦᑐᕕᓂᐅᑦᓱᓂ …
ᐊᕐᕌᒍᕐᓂ 100-ᐅᓈᕐᑎᑐᓂ, 1000-ᐅᓈᕐᑎᖏᒃᖑᑎᒃ, ᐃᓄᐃᑦ ᓈᔅᑳᐲᓪᓗ ᓂᕿᑦᓴᑖᕐᕕᓴᑐᐊᖃᕐᓯᒪᕗᑦ ᐅᖓᕙᐅᑉ ᑎᑭᕋᖓᓐᓂᑦ. ᐃᓄᐃᑦ ᐆᒪᔪᕐᓂᐊᒍᒪᕙᓪᓗᓲᕕᓃᑦ ᐃᒪᕐᐱᒥᐅᑕᓂᒃ ᓄᓇᑐᐃᓐᓇᒨᕐᐸᓂᕐᒥᔫᒐᓗᐊᑦ ᑐᑦᑐᓯᐅᕈᒪᓕᕋᒥᒃ. ᑌᑦᓱᒪᓂᐊᓗᒋᐊᖅ ᑐᑦᑐᐃᑦ ᓅᓕᕋᒥᒃ ᐊᒥᓱᐊᓘᕙᓐᓂᒪᑕ ᓈᔅᑳᐲᑦ ᑕᕐᕋᒧᑦ ᓄᕿᑎᕐᑕᐅᓚᕿᓚᐅᕐᓯᒪᔪᑦ ᓯᕿᓂᒋᐊᒥ ᓇᐹᕐᑐᓕᒻᒥᐅᔭᐅᒐᓗᐊᕐᓱᑎᒃ. ᑖᒃᑯᐊ ᒪᕐᕈᐃᑦ ᐃᓗᕐᖁᓯᖃᖃᑎᒌᓐᖏᑐᑦ ᐃᓕᒃᑯᓯᐊᖅ ᐃᓅᒐᓱᐊᕈᓯᓕᕕᓃᑦ ᐱᓕᐅᑦᔨᔪᑦ ᑕᕆᐅᑉ ᐊᑭᐊᓂᒥᐅᔦᑦ ᒥᕐᖁᓕᓐᓂᒃ ᓂᐅᕐᕈᓯᕐᕕᐅᓂᕆᓲᖏᑦ ᐃᓅᓯᖏᓐᓂᒃ ᓯᖁᑦᑎᕆᓐᖏᓂᖓᓂ. ᑖᕙᑦᓱᒪᐅᑉ ᐃᒪᖓ ᐊᑦᑕᓇᕐᑐᐊᓗᓂᒃ ᐊᐅᓚᓂᐊᓗᖃᕋᓗᐊᕐᑎᓗᒍ, ᑲᒻᐸᓂᒃᑯᑦ ᓯᑦᔭᓗᑳᓂ ᓇᑉᐯᓚᐅᕐᓯᒪᔪᑦ ᓂᐅᕐᕈᓯᕐᕕᓂᒃ ᖃᓪᓗᓈᓕᕐᑕᓕᓐᓂᒃ, ᐱᒋᐊᕐᐸᓕᐊᕌᐱᑦᑐᕕᓂᐅᑦᓱᑎᒃ 1800 ᐊᕐᕌᒍᖏᑦ ᐱᒋᐊᕐᖃᒥᐅᑎᓗᒋᑦ. ᓯᕗᓪᓕᐹᒥ ᑲᒻᐸᓂᒃᑯᑦ ᑮᓇᐅᔭᓕᐅᕐᕕᒋᒍᒪᓚᐅᕐᓯᒪᔭᖓ ᓵᒪᓐᓂᐊᕕᐅᓚᐅᕐᓯᒪᕗᖅ ᑭᓯᐊᓂ ᒥᕐᖁᓕᓐᓂᒃ ᐅᓕᑲᑦᑕᖃᕈᒪᓯᓐᓂᒥᒪᑕ ᓄᓇᕐᔪᐊᒥᐅᑦ …
ᐃᓄᐃᑦ ᑲᑐᑦᔨᖃᑎᒌᓐᓂᖓ ᑯᐯᑉ ᑕᕐᕋᖓᓂ ᐱᒋᐊᕐᑐᕕᓂᖅ ᐅᑭᐅᒃ ᒪᕐᕉᒃ ᓈᓕᕐᑑᒃ ᐃᓄᑦᔪᐊᒥ. ᓴᕐᕿᑎᑕᐅᓚᐅᕐᑐᖅ ᐱᐅᓰᑦ ᑌᒫᑦᓭᓈᒍᓐᓀᕙᓪᓕᐊᓂᖏᑦ ᓱᑲᑦᑐᒥᒃ ᐱᑦᔪᑎᒋᓗᒋᑦ ᐃᓄᓐᓄᑦ ᒥᑭᔪᒥᒃ ᐊᐅᓚᑕᐅᒐᔭᓚᐅᕐᑐᑦ ᐅᕝᕙᓘᓐᓃᑦ ᐊᐅᓚᑕᐅᓐᖏᒪᕆᓪᓗᑎᒃ. ᑐᐸᑦᑎᑕᐅᓚᐅᕋᑦᑕ ᖃᓪᓗᓈᑦ ᑲᕙᒪᒃᑯᓂ ᐊᓯᖏᓪᓗ ᐱᐅᓯᖃᕐᓱᑎᒃ ᐱᓚᐅᕐᒪᑕ ᑲᒪᓯᒪᔪᑦᓴᐅᓱᑎᒃ ᐯᕆᑦᓯᒐᔭᕐᓱᑎᒃ ᐅᕙᑦᑎᓂᒃ ᓯᕗᓂᑦᓴᑎᓐᓂ. ᑕᒫᓂᓕ ᐊᖏᓐᖏᓇᑦᑎᒋᑦ ᐱᐅᓯᕆᓚᐅᕐᓯᒪᓐᖏᓇᑦᑎᒍᓪᓗ.
The Reverend Edmund James (E.J.) Peck (1850–1924) played a leading part, on behalf of the Church Missionary Society, in the conversion of the Inuit in northeast Canada at the end of the nineteenth century and the beginning of the twentieth. Peck’s importance as a missionary was well acknowledged during his lifetime. In 1904, for example, …
